John Horwill
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  • Still life No1
    Still life No1
    Hereford 1959-1965.
    John didn't paint many Still life paintings over his life-time, may-be due to his paintings appearing to develop from starting points or a subject and grow into a finished painting.

  • Cafe Table
    Cafe Table
    Hereford, 1959-1965.
    An early painting from where John lived and work as a teacher in higher education at the College of Art, Hereford.

  • River Mood  No2
    River Mood No2
    Hereford, 1962
    These paintings, light on water, appear to be John's subject for quite awhile, maybe due to his garden being adjacent to the big Hereford river in 1959-1965.

  • River Mood - No4
    River Mood - No4
    Hereford, 1962
    These paintings, light on water, appear to be John's subject for quite awhile, maybe due to his garden being adjacent to the big Hereford river in 1959-1965.

  • River Mood No6
    River Mood No6
    Hereford 1962.
    These paintings, light on water, appear to be John's subject for quite awhile, maybe due to his garden being adjacent to the big Hereford river in 1959-1965.

  • River Mood No8
    River Mood No8
    Hereford 1962.
    These paintings, light on water, appear to be John's subject for quite awhile, maybe due to his garden being adjacent to the big Hereford river in 1959-1965.

  • Bridge Reflection No2
    Bridge Reflection No2
    Hereford 1964.
    Light on water. Continued to be John's subject well over a year being near this river, in which time he would have experience a lot of different weathers affecting the big Hereford river moods, between the years 1959-1965.

  • Riverside No2
    Riverside No2
    Hereford 1959-1965
    Street people or family now appearing in His paintings and continue to appear in most of his works through-out while in Hereford.

  • Bridge Pub No2
    Bridge Pub No2
    Hereford, 1959-1965.
    A winter painting showing floating ice on the Hereford river.

  • 7am Hereford Street
    7am Hereford Street
    Hereford 1959-1965.
    Street scene with street people.

  • Beach No2
    Beach No2
    Hereford 1959-1965.
    A Water-colour. I call this period of John's art work his NUDE period, because he never made another nude painting after this time, although he attended LIFE drawing classes from time to time. This period was when he lived and worked with students in Higher Education at the College of Art in Hereford.

  • Beach No5
    Beach No5
    Hereford 1959-1965.
    I call this period of John's art work his NUDE period, because he never made another nude painting after this time, although he attended LIFE drawing classes from time to time. This period was when he lived and worked with students in Higher Education at the College of Art in Hereford.

  • Gully J
    Gully J
    Hereford 1959-1965.
    A fascinating, intriguing painting, painted still in John's period of nudes.

  • Detail 4 of Gully J
    Detail 4 of Gully J
    Hereford 1959-1965.
    A detail print of the fascinating, intriguing painting, painted still in John's period of nudes.

  • Revellers
    Revellers
    Hereford 1959-1965.
    Well, in the Sixties all sorts of rebellious behaviour was going on and I guess that John either experienced some of it or was witness to it, hence this painting. But as a piece of artwork it adds to his nude period.

  • Venus Arising No1
    Venus Arising No1
    Hereford 1959-1965.
    I call this period of John's art work his NUDE period, because he never made another nude painting after this time, although he attended life drawing classes from time to time as drawing was always important to his own art work.

  • Life Drawing No1
    Life Drawing No1
    Hereford 1959-1959.
    John would have joined in with his students in a life drawing class, as drawing was important to his own art work. Hereford College of Art was for adult higher education and extra mural studies when he was teaching there.

  • Models Time out No1
    Models Time out No1
    Hereford 1959-1965.
    John would have joined in with his students in a life drawing class, as drawing was important to his own art work. Hereford college of art was for adult higher education and extra mural studies when he was teaching there.

  • Models Time out No2
    Models Time out No2
    Hereford 1959-1965.
    John would have joined in with his students in a life drawing class, as drawing was important to his own art work. Hereford College of art was for adult higher education and extra mural studies when he was teaching there.

  • Black Bird in Garden
    Black Bird in Garden
    Hereford 1959-1965.
    These paintings appear to be the start of a new subject away from his nude period, it is looking out from windows, which is quite a change from the nude period which are scenes out-side.

  • Black Birds
    Black Birds
    Hereford 1959-1965
    These paintings appear to be the start of a new subject away from his nude period, it is looking out from windows, which is quite a change from the nude period which are scenes out-side.

  • Lane No1
    Lane No1
    Hereford 1959-1965.
    Derived from in and around Hereford. Changing his subject, using his surroundings where-ever he was. As you will see from the Gallery of his life-time of works.

  • Horse and Rider
    Horse and Rider
    Hereford 1959-1965.
    A Fair-ground painting.

  • Old Tree No1
    Old Tree No1
    Hereford 1959-1965
    The first 'Old Tree' painting 1960, was created by John after he moved to Hereford from the Midlands in 1959. Closer to family and to more familiar ground. There he acquired a teaching post at the local Hereford College of Art for higher education. He was instrumental in developing a traditional curriculum which culminated in the Art Division achieving an Academy Status as it had in its past.

  • Old Tree No3
    Old Tree No3
    Hereford 1959-1965.
    Derived from in and around Hereford. Changing his subject, using his surroundings where-ever he was. As you will see from the Gallery of his life-time of works.

  • Beans and Black Moon
    Beans and Black Moon
    Hereford 1959-1965.
    Another painting created from views of his Hereford garden with a figure in it.

  • Flood Twigs No1
    Flood Twigs No1
    Hereford 1959-1965.
    The big Hereford river at the bottom of his garden, must have triggered him to paint this subject, and again used photography to photograph the same painting in different lights (day-light and evening-light) always experimenting with light.

  • Flood Twigs No2
    Flood Twigs No2
    Hereford 1959-1965.
    The big Hereford river at the bottom of his garden, must have triggered him to paint this subject, and again used photography to photograph the same painting in different lights (day-light and evening-light) always experimenting with light.

  • Sunday Afternoon No1
    Sunday Afternoon No1
    Hereford 1959-1965.
    This painting is another people watching painting, it has ended up being a record of fashion of it's time 1959, keeping in mind that most artists starting point to drawing and painting are from their surroundings as John's was.

1959 – 1965 29

John worked at the College of Art (Higher Education) in Hereford 1959-1965.

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